TheatrePort

Aida
February 19th and runs thru March 14th

A Classic Love Story With A New Twist to Take Stage Door Inc By Storm!

Two women love the same man. Sound familiar? The classic love triangle is common material for stage and screen.

The Women
Feb. 10 ~ Mar. 13, 2010

The classic 1930s study of female bonding, scheming, and survival, as a demure Park Avenue wife goes “jungle red” to reclaim her man. work of wit, wisdom, and above all, supremely stylish wardrobe.

The Women is directed by Jay Menchaca
assisted by John Mitsakis

Two Extraordinary Plays in One Electric Evening:

Caryl Churchill’s A Number and Sophie Treadwell’s Machinal

February 18 – March 14, 2010

Main Street Theater presents an evening of two plays by groundbreaking women playwrights: an adaptation of Sophie Treadwell’s impassioned play, Machinal followed by Caryl Churchill’s chilling one-act, A Number With previews February 13, 14, and 17, Machinal and A Number open Thursday, February 18, and runs through March 14 at Main Street Theater – Rice Village, 2540 Times Blvd. (There is no performance on February 19.)

February 14th, 2008 7p.m. - 11p.m.
Catbird’s
1336 Westheimer, Houston, TX 77006
Admission: Free

Break out your watercolors, sidewalk chalk, and play-dough and join local arts organization BooTown for their fundraiser It’s Still Alive? After the success of BooTown’s previous fundraisers, It’s Alive followed by It’s Alive, Again, the group has brought back the interactive evening where patrons are invited to create and buy great art for a good cause, for the third time!

CLASSICAL THEATRE COMPANY’S THIRD ANNUAL PRE-VALENTINE’S DAY READING

The Classical Theatre Company (CTC) closes its 2009-2010 Douglas Earle Johnston Reading Series at the Brazos Bookstore with Clizia by Niccolo Machiavelli. Like the majority of the plays CTC has selected to produce in its reading series, this play for whatever reason, has been essentially lost to history. Rarely produced despite being wildly funny, Clizia blossoms into a tale of plots stacked upon counterplots interwoven with themes of confused identity.